News

The clinic did it again and won 5 awards at Lux Quebec contest that is rewarded the 100 best images of the year. Congratulations to Benoit Tardif and Aaron McConomy. In this newsletter, discover the winning images, and also our most recent fresh projects!

This month, Silke is catching the sun in a Smartforwo cabrio car, Emmanuel clarifies all about the great lessons from Arab Spring, Oscar is shaking hands for Fortune magazine, Mydeadpony portrays Björk for the Washington Post, and many other great works to discover below!

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 - The illustrators and the agents of the clinic

Silke Werzinger created several illustrations for the Smart fortwo cabrio car on the theme of summer in the city ; "Two seats under the sun". You can have a look at her illustrations here in the catalogue or on the website.

Yes, all the subjects are possible to illustrate, even the most delicate. Emmanuel Polanco shows us once again, in this article about the big lessons of the Arab Spring of the Global Brief magazine. To read the article in French it is here.

Ëlodie shares with us her last two personal works where she explores other techniques and plays in particular with the light and the textures. The first one is an inspiration of the Lanvin Fall RTW 2015 collection. The second is a portrait of the blogger / photographer of Paris in four months which Ëlodie follows since a moment and which inspires her a lot (photo credit: Katie Mitchell photography).

We are very proud to announce that Benoit Tardif won 4 awards, included one first prize, and Aaron McConomy, one award, from Lux Contest 2015 that rewards the 100 best images of the year, in the field of illustration and photography in Quebec.

Here is a very sensitive and beautiful series of illustrations by Katrinn Pelletier for an article about the story of a man, Dan Rubinstein, who accepted to change his life to make it better after a serious knee injury. The article titled Gone strolling is published in the April issue of Reader’s Digest magazine.

To be an entrepreneur and succeed whatever is your route, your age or your work experiences it is possible. Óscar Llorens illustrated these ideas in the article of March 2015 issue Fortune Magazine.

Here is a short selection of the last realizations of Silke Werzinger, Berlin artist, handling particularly well the ball-point pen. Between mode, pop culture and checked gap, its universe opens doors to any project type. To see her whole work, it is this way.

The wallpaper of this month was illustrated by Benoit Tardif for the La Licorne theater, for the 2014-2015 season. Benoit is a Quebec’s illustrator who works from traditional and digital techniques to build images that are designed to convey a specific and conceptual message.

Versions 1680x1050, 1440x900, 1280x800...
Versions 2560x1440, 1920x1080...
Versions iPhone 4, iPhone 5, 6, 6 plus
Versions iPad, iPad mini

Mydeadpony has created Björk's portrait for the article in the Washington Post which deals with her exhibition in the MOMA.

Delightful series of six illustrations by Sonia Roy for the article Guilt doesn't help. This will!  published in The Caregiver's Handbook column of Good Housekeeping magazine, March issue.

The freedom of expression, a topical subject for the last debate of the magazine the Ob, illustrated by Emmanuel Polanco: the useful idiots of the FN (Front National).

Katrinn Pelletier was requested to create the cover of Alouette aluminium plant‘s annual sustainability report 2013. This latest report presents the company’s results and challenges in 2013. Alouette is a company from Quebec province that is committed itself to be a responsible employer and corporative citizen.

Every year, Fashion Week launches the trends and influences numerous artists in their creations. Nicole Jarecz presents us here a part of her searches inspired by Parisian Fashion Week.

The Colagene experience according to our clients:

I have worked with Vincent at Colagene on two very complex briefs for Vanity Fair magazine. Colagene are so efficient to respond to a brief and liaise with the illustrators directly. The process of amendments through to completion is always handled so carefully and clearly. Colagene are an absolute delight to work with. Scott Moore, Art Editor, Vanity Fair UK